Deleuze, Bacon and Groensteen


Here’s a page that I used to accompany last week’s presentation at the RNUAL (Research Network University of the Arts London) symposium at London College of Fashion. The basic idea was about the things that exist on the page, or canvas, before we start making marks. In “The Logic of Sensation“, Gilles Deleuze describes how when a “fine art” painter approaches the canvas, it’s full of “figurative givens” – that is, all of the cliched, pre-existing ideas about figuration that the painter has absorbed, from art history, photography, film, etc.... Read The Rest →