With Lydia Wysocki, Mark Jackson, Jane Webster and Brittany Coxon: ‘Making the invisible visible: hyperlinked webcomics as alternative points of entry to the digitised Gertrude Bell Archive’, International Journal of Heritage Studies. Routledge, 26(5), pp. 480–497. doi: 10.1080/13527258.2019.1663236. 2020
‘Picturing National and personal acts of violence: modes of depiction in Barefoot Gen’, in Hague, I., Horton, I., and Mickwitz, N. (eds) Representing Acts of Violence in Comics. Oxford: Routledge. 2018
Visual Metaphor and Drawn Narratives. PhD thesis. Central Saint Martins, University of the Arts London. 2017

Read a sample chapter
‘Bacon and the Cartoonist: The Emergence of the Figure through Two Opposing Diagrams’, in de Assis, P. and Giudici, P. (eds) The Dark Precursor: Deleuze and Artistic Research. Leuven: Leuven University Press, pp. 99–109. 2017
Depiction and demarcation in comics: Towards an account of the medium as a drawing practice’, Studies in Comics, 6(1), pp. 145–156. doi: 10.1386/stic.6.1.145_1. 2015
With Simon Grennan: ‘Dispossession: Time, Motion and Depictive Regimes’, in Grennan, S. and Grove, L. (eds) Transforming Anthony Trollope: Dispossession, Victorianism and Nineteenth-Century Word and Image. Leuven: Leuven University Press, pp. 33–54. 2015


© 2020 John Miers
John Miers is a cartoonist, illustrator, academic and teacher. He is lecturer in illustration at Kingston School of Art, a member of the Comics Research Hub at University of the Arts London, and co-organiser of Transitions.